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A decaying, radioactive knight in tarnished, glowing armor sits atop a skeletal horse wreathed in green, phosphorescent flame. The scene is lit by a sickly, unnatural twilight filtering through the skeletal remains of skyscrapers in a ruined city. Ash falls like snow, illuminated by the faint, toxic glow emanating from the knight and horse. Found footage style, handheld camera shakiness, interlaced lines. The knight's visor is cracked, revealing a skull with empty, glowing sockets. Close-up on the horse's exposed, radioactive bones, with tufts of decaying flesh still clinging. Geiger counter clicks and static interrupt the audio. Extreme film grain, chromatic aberration, lens distortion, and corrupted data glitches. The background is blurred, focusing on the terrifying figure. A sense of overwhelming dread and imminent doom. Focus on the knight's silent, motionless presence as a symbol of irreversible decay and environmental collapse.

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A cinematic black and white photorealistic image in the style of Leica film photography, with light natural grain and strong emotional contrast. In a vast, decaying abandoned theater in Saigon, a slender Vietnamese ballerina stands alone on a dusty, broken wooden stage. She wears a simple, slightly tattered ballet dress inspired by Cinderella — modest, lightweight, and frayed at the edges. She holds a broom in one hand, mid-pose as if dancing through her chores. The scene is viewed from the back of the stage, looking out toward the empty auditorium filled with broken, forgotten seats and torn posters on the cracked walls. Beams of sunlight pierce through holes in the collapsed ceiling, casting long, dreamy rays across the dusty air and gently illuminating her silhouette like a spotlight. The mood is poetic, melancholic, and dreamlike — a forgotten fairytale quietly unfolding in ruins. 16:9 cinematic format, capturing the essence of time's passage and the beauty in decay.

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