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A dog sits on a gingham blanket, wearing a beret, and stares intently at the camera. Behind the dog, a white tower rises into the sky. To the right of the dog, there are three pastries on a table next to a blue apple. The scene takes place at a seaside pier, with ships in the background, during a breezy day.

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The young gangster leans against a hypergloss Lamborghini Veneno hybrid, its iridescent paint rippling with reflections from holographic palm trees lining the Beverly Hills mansion's driveway, trunks pulsing bioluminescent cyan, security drones orbiting like fireflies. Neon smog curls around his diamond-studded Rolex, gripping a champagne bottle leaking vaporwave-purple effervescence that crystallizes mid-air, bubbles containing micro-holograms of roaring crowds. Behind his Balenciaga facemask, the city's skyline convulses with rival gang laser tags slicing through pollution layers. Dutch angle framing warps the 2:3 composition, hyperreal sweat droplets on his forehead mirroring Lambo brake lights burning through acid rain etching fractal patterns across the mansion's quantum-lock gate.

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