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An action-packed scene featuring Miles Morales in his black Spiderman suit, being chased through a futuristic city by a multitude of Spidermen from different dimensions. Among the pursuers are Spider-Punk and a black-and-white Detective Spiderman. The setting is a vibrant, high-tech metropolis with towering skyscrapers, neon lights, and flying vehicles. The perspective is a dynamic long shot that captures the intensity of the chase, with the composition following the rule of thirds to emphasize movement and direction. Lighting is dramatic, casting shadows and highlights to add depth and tension. The art style blends elements of comic book aesthetics with a touch of cyberpunk, creating a visually striking and immersive environment.

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A cathedral of interlocking titanium vertebrae rises above crumbling flesh-temples, its plasma-core heart radiating cold blue light through fractal-stained glass. Obsidian-paved processions of biomechanical converts march below, their jointed limbs gleaming with sacred oils, ocular implants projecting holographic scripture into smog-choked air. To the left, organic spires of bone and sinew sag under parasitic vines, their marble skin bubbling with necrosis as supplicants claw at rusted drainage pipes. The composition frames a dying sun caught between the machine cathedral's perfect geometry and the biomass towers' tumorous silhouettes. Ultra-high contrast: polished steel edges against hemorrhaging amber skies. Low-angle shot emphasizing scale, with anti-gravity debris fields orbiting the central spire like metallic votive offerings

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